数学魔法 第二季

The Dope finds himself reliving his day whenever he's knocked out by the local Martial Arts Mafia. When he emerges victorious from battle, the villain returns with the same day-repeating ability! It's Groundhog Day meets Jackie Chan as the two fighters bring bigger and badder weapons to the fight! Rope A Dope 2 is a sequel to the hit award-winning short film Rope A Dope.

JEUXhttp://www.mtime.com/my/100233大学物理教授上田次郎是著名的反超能力现象的专家，已经出版了多部相关专著，在社会上颇具知名度。一天，一名青年慕名来访，请求上田帮他找回10年前被筐神佐和子带走的青梅竹马美沙子。佐和子是出名的灵能力者，据说拥有相当可怕的能力。头脑一时发热应承下来的上田心里害怕，便硬拉上了老搭档山田奈绪子。奈绪子是个魔术师，能看透各种骗局，因为苦于魔术表演观客寥寥难以谋生，每每不得不勉强接受上田的“有偿”邀约。两人一同踏上了佐和子所在的筐神岛，发现岛上的民众全都是崇拜着佐和子的信徒。在上田和山田面前，佐和子展现了许多惊人的异能：巨石悬浮、瞬间移动、村庄消失，这些壮大的“奇迹”似乎毫无破绽，令两人一筹莫展。同时，在不知不觉中，危机也渐渐逼近了他们……

JEUXhttp://www.mtime.com/my/100233大学物理教授上田次郎是著名的反超能力现象的专家，已经出版了多部相关专著，在社会上颇具知名度。一天，一名青年慕名来访，请求上田帮他找回10年前被筐神佐和子带走的青梅竹马美沙子。佐和子是出名的灵能力者，据说拥有相当可怕的能力。头脑一时发热应承下来的上田心里害怕，便硬拉上了老搭档山田奈绪子。奈绪子是个魔术师，能看透各种骗局，因为苦于魔术表演观客寥寥难以谋生，每每不得不勉强接受上田的“有偿”邀约。两人一同踏上了佐和子所在的筐神岛，发现岛上的民众全都是崇拜着佐和子的信徒。在上田和山田面前，佐和子展现了许多惊人的异能：巨石悬浮、瞬间移动、村庄消失，这些壮大的“奇迹”似乎毫无破绽，令两人一筹莫展。同时，在不知不觉中，危机也渐渐逼近了他们……

Dinger and Bobby's adventure start when a pair of magical sunglasses arrive at the door. Their mundane lives in L.A. get a crazy twist-but soon enough, they've got thugs on their trail who want the valuable pair for themselves. Under hot pursuit, it's one crazy antic after another as the troublesome twosome scramble to keep their hot commodity out of the wrong hands.

Hoping to score some time with his girlfriend, a young man throws a get together. Instead, everyone in the ‘hood turns up for an epic house party.

As flabby Sebastian strives to become a model, lowly usher Tom hustles to make it as an actor. While pursuing fame and fortune together, the naïve duo stumble into zany adventures, learn absurd Hollywood lessons and build a meaningful friendship.

The limits of the landscape are always the same, because they do not understand political borders, but geographical features. A line that separates the sea from the sky, mountainous waves that cut across the sky. Regardless of where you are, these limits follow the same pattern. This film proposes as a starting point the use of these limits to create a sort of landscape collage, to reconstruct the image of the landscape by combining space and time from the capture of the image; from the present, and not from the subsequent construction in post-production, hence the key role of the analogue image. (Laura Moreno Bueno)